Event Information

10.14 Friday (Electronic)
Nectar & Solid Sound present:
MINNESOTA
Pressha
Lotus Drops
Torbjørn
$25adv /.$30 dos
8pm, 21+


You can also catch ZEKE BEATS & more two blocks down the street at the HIGH DIVE for a discount if you  select the add-on option during your checkout. This will allow you to go between stages and catch all the acts, festival style!

Set-times:
8:30 - 9:30 Nofux Gibbons (High Dive)
9:00 - 10:00 Torbjorn (Nectar)
9:30pm - 10:30pm Wub Mamma (High Dive)
10:00 - 11:00 Lotus Drops (Nectar)
10:30pm  - 11:30pm Bambú (High Dive)
11:00 - 12:00 Pressha (Nectar)
11:30 - close Zeke Beats (High Dive) 
12:00 - close Minnesota (Nectar)

MINNESOTA BIO:

The man named after the land with 10,000 lakes has been a force on the bass scene for nearly a decade. Although he’s made a name for himself in the electronic music space, Minnesota’s (aka Christian Bauhofer) musical journey started with heavy doses of classic rock, emo and screamo. He was heavily influenced by the psychedelic style of rock legends including Pink Floyd and Led Zeppelin and cites them as inspiration for what would become his own sound. “The songs were journeys and I really like the epicness and the trip the song took you on,” he says.

Spending most of his early life in Minnesota, It was not until Christian relocated to Santa Cruz, California in 2007 where he first discovered the underground electronic music scene via renegade parties that would be thrown in the redwoods of the Santa Cruz mountains. “That community / subculture was really my main influence into the music. A lot of other artists were immersed in the Santa Cruz community like, G Jones, The Glitch Mob and Eprom. Crews would bring out a generator, Dj equipment and a few lights and play music until 10AM. We were really blown away.” Christian would soon throw his own renegade parties in Santa Cruz to provide himself with a forum to DJ. “I wanted to play music, but could never get booked, so I teamed up with some friends and we started to throw are own parties. I feel very lucky to have experienced this underground scene before electronic music and hit the mainstream.”