Event Information

General Show Info
This show is open to all ages.
4:30PM GATES FOR VIP - 5:30 FOR GA and FOOD TRUCK VILLAGE OPEN / 7:00PM SHOW (set times subject to change at artists discretion)
This event is rain or shine.
There is no re-entry into the concert venue, except for emergency situations.
Children 5 years of age and under are admitted free.
Camping chairs and blankets are permitted, however chairs will NOT be allowed within 150 feet of the front of stage.
All tickets are General Admission.


Ticket Information
Pricing:
VIP Tickets: $175
Advanced General Admission: $55
At the Door General Admission: $70


VIP Tickets Include:
Early Entry to concert grounds and food trucks - 4:30PM
Premium Viewing Area in front of the stage
Lifted Premium viewing area by the VIP Tent & VIP Bar
Access to VIP Area Portable Restrooms
One complimentary drink ticket


Prohibited Items
No Pets
No Outside food and beverage
Professional photography or video is NOT allowed, with the exception of written permission from Beech Mountain Resort.
No Drugs or illegal substances
No Pop-up tents, canopies, or umbrellas
No Coolers
No Weapons of any kind (includes pocket knives, pepper spray, etc.)
No Laser pointers or air horns
No Oversized bags or purses.
No Wagons, chair caddies, etc.
Failure to comply with bag search will result in denial of entry into the venue. This is strictly enforced.


Food, Beverage, Retail
A wide selection of your favorite food and retail vendors will be available. Cold bottled water, beer and wine is also for sale at the event through Beech Mountain Brewing Co.


Additional Info
Beech Mountain Ski Resort and staff reserve the right to banish any patron (without refund) that is not in compliance with rules and regulations.


Drug and Alcohol Policy
You must be 21 to drink and you must possess a valid ID to purchase alcohol. Beech Mountain Resort Summer Concert Series is a zero tolerance venue. All local and State laws will be strictly enforced. There will be no tolerance for illegal activities.


Restroom Facilities
Restroom facilities and portable restrooms will be available on site and include hand sanitizing stations.
All tickets are final sale and cannot be exchanged or refunded. In the case of an event cancellation without a rescheduled date, a full refund will be automatically issued to each patron on the credit card used to purchase. By purchasing a ticket to this event, you agree to this purchase policy. Before purchasing your tickets, we urge you to confirm the title, time and location of the event.

My Morning Jacket has released nine studio albums, with 2008’s “EVIL URGES,” 2011’s “CIRCUITAL,” and 2015’s “THE WATERFALL,” each receiving GRAMMY® Award nominations for “Best Alternative Album.” Summer 2020 saw the surprise release of “THE WATERFALL II,” with the single, “Feel You,” making history by reaching #1 at Triple A radio outlets nationwide and on Billboard’s “Adult Alternative Songs” chart – My Morning Jacket’s first ever #1 on a Billboard songs chart.

In 2021, My Morning Jacket released their self-titled album that reaffirmed the rarefied magic that’s made the band so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. Esquire said, “Its killer ninth album, ‘My Morning Jacket,’ is an 11-song set that channels an energy as loose and loud as their bombastic live act," while Rolling Stone hailed, "What keeps MMJ interesting is that their music never becomes too comfortable. It’s a spectacular vision where nothing ever seems quite settled."

ABOUT KATIE 

The debut album from Katie Pruitt, Expectations is a glowingly detailed collection of real-life stories, a courageous document of coming of age in a sometimes-unwelcoming world. With a narrative voice at turns poetic and unaffected, the Georgia-bred singer/songwriter/guitarist treads endlessly complex emotional ground: mental illness, toxic relationships, the frustration and shame of growing up gay in the Christian South. But by speaking her truth with sensitivity and grit, Pruitt ultimately arrives at a self-acceptance that’s both hard-won and happily defiant.

“I called the album Expectations because I liked that it was ironic,” says the 25-year-old artist, now based in Nashville. “This record’s really about letting go of what other people expect from you, and being free to be to just finally be yourself.”

Co-produced by Pruitt and her close friend Michael Robinson at the home studio of Rounder Records’ Gary Paczosa, Expectations gracefully showcases her captivating voice—an instrument that alternately soars and howls and softens to a near-whisper. And while the album unfolds in a guitar-fueled sound steeped in folk and country and rock-and-roll, each track stays centered on the lucid songwriting that recently landed Pruitt on a “20 Artists To Watch In 2019” from NPR.

With its luminous groove and gauzy guitar tones, the title track to Expectations embodies the album’s infinite tension between strength and vulnerability, wariness and hope. “I wrote ‘Expectations’ as I was coming out of a depression,” says Pruitt. “It’s about how your whole perspective can change if you shift your focus to what really matters, and recognize that there are people who love you and can help you if you need it—you don’t have to survive on your own.”

Elsewhere on Expectations, Pruitt delicately telegraphs the pain and confusion that come from lack of belonging. A piano-driven recollection of her adolescence, “Georgia” juxtaposes vivid memories of youthful rebellion with fearful confessions about coming out to her family (“My father would scream out in rage/He did not want a daughter whose soul wasn’t saved”). On “Normal,” Pruitt offers a bit of finely wrought storytelling, sharply narrating the times in her life when she felt most like an outsider (“Marching in line in the halls of my Catholic school/Seven Hail Marys if I copped an attitude”). But by the time Expectations reaches its penultimate track—the gorgeously lilting “Loving Her”—Pruitt has found her way to a joyful self-assurance, infusing every line with her irrepressible spirit (“If loving her’s a sin, I don’t wanna go to Heaven”).